I’d still make the case that Moore’s “scattershot” approach means something else (to parapharse Jameson). I don’t think the film (or any film) is capable of holding together all of the contradictions that Moore is introducing.

That being said, it’s still a flawed film, and those flaws seem more manifest as a result of the rhetorical approach of the film (“connecting the dots”). Like you, I’ve got little problem with the cheap shots at Wolfie, Rummy, and Bush.